Friday, May 1, 2009

Tell No One - Best Movie I've Seen In A While - an Escape/Adventure/Surprise, and a Love Story!

"Tell No One" is one of the best movies I've seen in a while. It's pretty rare that you get to watch a murder mystery story that is not predictable, for one thing. The feeling of really wanting to know What happened? Who did it? reminds me of when I was a kid and enjoyed Agatha Christie books. I don't know the last time I got that feeling from a movie! Plus, this was an adventure story, where you're following the hero as he gets himself into one suspenseful situation after another. What will happen with the secret meeting in the park? Can he escape capture? Yet, it's not cliche-driven like so many typical suspense films. There are characters you just have to love and you don't see it coming. For example, the hero, Alex, is a pediatrician. And when he gets in trouble he has to recruit some muscle to come save him. The muscle he recruits is a guy who looks like a tough guy and who has connections to the street, but who is really a sensitive father who once took his son to the pediatrician's office. Yup! That conversation about "I owe this guy a favor"? -- So not typical for it to be followed by "He helped me out when I took my kid to the doctor."

And, of course, what else would I want but a good love story? Also included, free of charge. Just a bonus.

Saturday, April 18, 2009

Brideshead Revisited

"Brideshead Revisited." I can only imagine how good the book must be. For a story so filled with longing, the movie could only hint at much of the complexity behind it. The cruelty inflicted on its two main characters -- a brother and a sister -- was mostly felt, and not seen. Their fear, the vulnerability in their eyes, might have been inspired by a man with a dagger hiding behind the curtain, and not a rigidly Catholic, tyrannical mother. Emma Thompson did have her moments.

She blew up the screen when she had the opportunity. Still, some will say it was not enough, that it was difficult to believe the Flyte siblings' upbringing was enough to bring them to such a state of misery. But the movie didn't have time to show everything. It had to give more time to the boy, Sebastian. We had to be interested in him especially, primarily to capture our attention and to begin the narrative - to bring the narrator into his world. We along with the narrator had to be entranced. Ben Whishaw, who is he? I've never seen him before. But he definitely got my attention! He made Sebastian so funny, and pathetic, so lovely, and fragile, so frightened and courageous -- What a performance.

I was told this was a snoozefest. It wasn't. The narrator, much like Nick Carraway in Gatsby, might be called boring I suppose. But he is irrelevant. He's an entry point. The story has something in common with Gatsby, actually. We want like the narrator to have an entry into the magical lives of the more "fortunate." Of course, the price of admission in this case is exposure to their suffering and self-loathing. We have to watch the beautiful princes and princesses fall down, one by one.

But on the way we can dance at dawn in their sculptured gardens, splash around in their sparkling fountains, sample their thousands of enchanted wines, and fall in love.

The story was rich, with characters you wanted to spend more time with, and whose history you would have liked to know more intimately. A perfect movie? No. But it makes you feel things. Desire, shame, and a creeping fear. You know something's horribly wrong, although you can't always say exactly what it is. So, not a perfect movie... A perfect story? Perhaps. It was alluded to. Now I can't wait to read the book.

Monday, March 30, 2009

Shooter

Hopefully when you watch Shooter with Mark Wahlberg, you have clear expectations. You know what kind of movie it is. A movie where a really hot guy performs stunning physical feats and defies the odds to outwit an awful lot of smart people in the government. There's no need for it to make sense or for the plot details to be clear -- right?

Good. Because they're not. I had an interesting experience watching this movie. I watched the first 45 minutes a couple weeks ago. The DVD started to go bad -- it was freezing up on me. I had to return it to Netflix. Then of course wait for another copy. When I finally got around to the second copy, and picked up where I'd left off, I felt like I was watching a different movie. Because the first 45 minutes of this were really good, really promising. An emotionally complex character, a former Marine, whose mistrust of the government conflicts with his profound sense of patriotism. He's recruited to provide detailed descriptions of long-range sniper fire in intriguingly twisted city highrise conditions. It's a beautiful set up and a beautiful premise.

Then, sometime after he goes on the run, or about 50 minutes into the movie, the plot becomes impossibly convoluted. I just watched it, and already I can't remember what they said about Ethiopia, but I think it had something to do with someone having knowledge of a grave there. What this has to do with the senator and his secret agency within the FBI, I don't really know. Did it matter?

No. I had so much fun watching the action. You should see Mark Wahlberg single-handedly defeating an army of 28 men -- under fire and with the grace of a cat. Gorgeous.

Saturday, February 14, 2009

"W." and regretfully, again, How Not To End A Movie!

"W." had me laughing, giggling even, with glee. I have been looking forward to watching this for a long, long time. And it was every bit as exciting to watch as I anticipated! It had me rewinding key scenes and watching them once or twice over. I loved the rhythm of the film, the way you step right into the action and right into the heart of the debate (about troop levels, for instance -- I immediately rewound to watch again: How was this information presented? What assumptions were made?). I loved the acting - the portrayals of all the people surrounding W. were very persuasive, not to mention Josh Brolin himself. But Richard Dreyfuss as Cheney, Elizabeth Banks as Laura Bush and Thandie Newton as Condi Rice were amazing, too.

I say it had me laughing. Why? Because it was so much fun -- to step inside W's world. To follow him as he moves from being a perfectly normal person, confused and lost, trying to find his way, all the way to the War Room. To feel his pressures with him. To begin to understand why he changed, what forces moved him.

You know what's going to happen but you don't really know how it was for him. This movie gives you a chance to pretend you do. You see him running drills with Karl Rove, prepping his talking points on the campaign trail for the Texas governorship, and you see how he transformed himself from a fun-loving boy into a driven politician. Slapping those answers down like cards on the table. And he always had a gambler's "I go with my gut," attitude, didn't he? Brolin really makes me believe that. That feels like the President I knew. Perhaps he overdoes some of it, turns characterization to caricature in a few places, like the way he eats. Was Bush really always smacking like that, talking with his mouth full, licking his fingers? I don't know. There are moments Brolin does it and it seems over the top (like when W's meeting Laura for the first time, and you wonder why she'd be attracted to a guy grinning with sandwich in his mouth). There are other moments Brolin does it -- like right in the middle of Cheney's push for new "psychological" interrogations, where Cheney mentions off-handedly that these methods would also be used on U.S. citizens who aid or abet terrorists and W. says yup, that does "makes sense" (lick, slurp) but you've got to sell it to those "latte-sipping liberals" -- in that moment, it feels like it might be true.

Most of the time, throughout the movie, I liked W. and I liked especially the portrayal of him surrounded by all these people whose groupthink motored the decision-making process. You can see the motor running. I liked the interpretation that W. was not stupid, nor ill-meaning, but that he was in fact more of a feeling than a thinking person, that he reacted to situations based on his relationships with people and his instincts about them. His admiration for Cheney is clear. I liked all of this because it helps to make sense of what happened; it gives us an opportunity to try to understand why we went to war with Iraq -- how the administration crawled toward that decision, inch by inch. And where the influence was.

I liked the movie a lot and I'm probably going to watch it a second time, later this weekend, before I send it back to Netflix.

The only problem was the ending. Unfortunately, Oliver Stone decided in the last few minutes of the movie to abandon his highly-skilled portraiture in order to confess an ideological judgment. There are three issues I take with the ending scene: First, though it's clear that W. lost sight of the ball, and the metaphor was apt, it feels disrespectful. And, after everything we've been through with W, to see him so confused again in the last few seconds doesn't even feel accurate. Finally it leaves us with another question: Why did he lose sight of the ball? Why?

Monday, January 5, 2009

Testing out the Theme Categories Just For Fun

I will now go back and give each of my previous entries a new label with one of the theme categories I've chosen. Let's see how well the system works. :)

...It works!

Excitement! Excitement! The categories are here.

Hi again, my two readers. I have finally decided upon the categories and they are:
A Supposedly Dumb Movie I'd Love To See Again
I Think I've Seen This One Before
Anything With THIS Actor's Gonna Be Good
Thanks For Hitting Me Over The Head
Escapes, Surprises, Adventures
How Not To End A Movie

Yes, that fifth one is a bit of a catch-all -- Well, technically it's a catch-many, not a catch-all because it's meant to include different kinds of things, but it remains distinct from the other five categories. How? You'll see.